The Mongolian rock band performed at UNESCO headquarters in Paris, using their international platform to support the preservation of living cultural heritage, promote intercultural understanding and announce a fan-funded contribution to the organisation.

A recording treasured by fans for almost three decades finally receives an official release as Gillian Welch and David Rawlings announce Boots No. 3: The Hickory Show, alongside their February 2027 Australian and New Zealand tour.

Foy Vance has opened an ambitious new chapter in his songwriting career with IF: WE, the first of three EPs selected from a collection of 119 songs written across almost three decades. The release coincides with confirmation of Australian dates in January and February 2027, with The Paper Kites joining him for three shows.

Melbourne metal band Frankenbok have revisited a song that helped shape guitarist Aaron Butler's musical life, making the Hoodoo Gurus' 1985 classic 'Like Wow - Wipeout!' the opening statement on their new album The Arriba War Honkle. The album has debuted at number five on the ARIA Australian Artist Chart, giving the release added significance during Australian Music Month.

Full Flower Moon Band turn a song about partying hard into a deeper reflection on forgiveness, friendship and the people who keep independent music alive, as Kate Dillon and her Brisbane band prepare for career-defining support slots with Foo Fighters and Powderfinger.

New Jersey singer Justin Sargent becomes the latest frontman in Skid Row's 40-year history, with the band introducing their new line-up through a Nick Raskulinecz-produced version of The Who's 'Won't Get Fooled Again'.

Two generations of Australian hit-making will share the stage in 2027 as Eurogliders and Taxiride ft Jason Singh announce a six-date tour across Victoria, Queensland and New South Wales, bringing together some of the most recognisable Australian pop and rock songs of the past four decades.

More than 300,000 tickets sold in six days for Powderfinger's original 26-date Australian tour have prompted a final run of shows, with Hobart and Canberra finally included, extra Melbourne and Perth dates and two outdoor concerts in Brisbane to close the tour.

Released on 30 October 2006, The Who's first studio album of new material in 24 years introduced Pete Townshend's Wire & Glass mini-opera and marked a new recording chapter for Roger Daltrey and Townshend following the death of John Entwistle.

Robert Palmer's 1976 album brought together Little Feat musicians, accomplished session players and a calypso standard, capturing the English singer's distinctive soul and funk sound before his late-1970s commercial breakthrough.

Released on 30 October 2006, Bring Me The Horizon's debut album captured a young British band at its most uncompromising, laying the groundwork for a career that would eventually take it far beyond deathcore. Twenty years later, the original record remains a defining document of the band's early years, even as its 2026 re-recording revisits material the group once left behind.

Recorded in Nashville with producer John Farrar, Olivia Newton-John's 1976 album Don't Stop Believin' strengthened her position across pop, country and adult contemporary, producing three singles and a major Japanese chart success.

The Psychedelic Sounds of the 13th Floor Elevators, the 1966 record that first placed the word "psychedelic" on an album title, marks six decades since its release.

Tracey Thorn and Ben Watt return to their acoustic roots for the follow-up to 2023's Fuse, with the 10-track album recorded largely live in London and inspired by a series of intimate performances.

Lily Allen abandons the greatest hits formula at Rod Laver Arena, presenting all 14 songs from West End Girl as a tightly scripted theatrical account of relationship breakdown, while Dallas Minor Sextet gives Melbourne the singalong celebration of her earlier pop career.