There is a distinct feel of George Orwell style paranoia on the opening tracks of Muswell Hillbillies – with references to “beady eyes on me” (Acute Schizophrenia Paranoid Blues), while there are “chemical nightmares” on the opening Twentieth Century Man.
But rather than an exploration of Orwell’s 1984 and its serious messages – this is a band seemingly trying to stay in touch with its roots and basically having a bit of a laugh.
Released in November 1971, this was the band’s first record for new label RCA and Ray Davies and his band felt in the mood for experimentation. At the same time Davies was always keen to stay grounded and sound like the common man. There is a vaudeville and bohemian feel (Alcohol for example) for a very British album (with typically cockney references like “trouble and strife”) but with a sprinkling of Americana (Complicated Life and Holloway Jail). What’s interesting is the juxtaposition of typical British references – and the American style music.
There is also further evidence – if it was needed – of the band’s influences on the likes of Brit pop masters Blur. The opening Twentieth Century Man providing a template for the likes of Country House.
This new 2-CD deluxe version features 5 previously unreleased tracks, including Lavender Lane and early demo Nobody’s Fool. You can understand why the former has only surfaced now as it’s Waterloo Sunset set in a road with “nobs and toffs” infiltrating the place of childhood – before being knocked down. It even shares a chord structure with Waterloo Sunset.
Also included are alternative song versions and BBC sessions. All have been re-mastered from original tapes by well-known Kinks archivist Andrew Sandoval, and includes a booklet designed by award winning art director Phil Smee.
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